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During my time here, I organised an international conference based around my subject involving delegates from 4 continents

Emily Baines
DMus, ‘Mechanical Musical Instruments as a Source for Historical Performance’

Emily Baines
The research community at Guildhall is a really interesting place to be

Stefania Donini
PhD

Stefania Donini
I found it very beneficial to take a break from a busy teaching career to think and reflect on my teaching value, principle and strategies

Yushan Li
PGCert Performance Teaching

Yushan Li
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BA Performance & Creative Enterprise

Natasha Mbwana
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BA Video Design for Live Performance

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Jonathan Ferrucci
Artist Diploma Piano

Jonathan Ferrucci
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BMus Violin

Millie Ashton
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Doctoral Composer in Residence

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Eden Lonsdale
BMus Composition

Eden Lonsdale
I had the opportunity to play percussion with the Guildhall Studio Orchestra which gave me the chance to learn from, and play alongside, amazing senior players, as well as to perform with the incredible Liane Carroll.

Dave Adsett
BMus Jazz Drums

Dave Adsett
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BA Acting

Daniel Adeosun
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BA Technical Theatre Arts (Costume)

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Home > About the School > Research > Repository of Research Outputs
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Research Outputs

Guildhall School of Music & Drama is committed to ensuring the widest possible access to its research.

The School has adopted an Open Access for Research Policy, enabling us to achieve compliance with funder requirements as well as to enhance the profile and reputation of our research. Read our Open Access for Research Policy, which includes a brief Researcher's Guide.

Our most recent outputs are listed below. You can also find all our research outputs in our Research Repository.

Latest Research Outputs

  • Sloboda, John A, and Alessandro Mazzola, et al.. "Music for Social Impact: an overview of context, policy and activity in four countries, Belgium, Colombia, Finland, and the UK." Finnish Journal of Music Education 23, 1-2 (2020).
    Journal Article
    View PDF
  • Sloboda, John A. "The SIMM research landscape: An analysis of research presented at SIMM events in 2017, 2018, 2019 : [closing address]" presented at The 4th SIMMposium, Distrital University, Bogota, Colombia, 26-27 July 2019., 2019.
    Conference Papers
    View PDF View Online
  • Sloboda, John A, and Biranda Ford. "Classical music borrowing from other arts: new strategies for audience building through performance." In Music, Speech, and Mind, edited by Correra, A.F., 187-212 Curitiba: Brazilian Association of Cognition and Musical Arts, 2019.
    Book Chapter
    View PDF
  • Sloboda, John A, and Jutta Toelle. "The audience as artist? The audience’s experience of participatory music." Musicae Scientiae , (2019).
    Journal Article
    View PDF
  • Newland, Paul. Repetition and Difference. Tim Parkinson: Schotts London, 2016.
    Composition
  • Newland, Paul, and Marina Collard (choreographer). slow – locus18. Bonnie Bird Theatre Laban: London, 2017.
    Composition
  • Newland, Paul. things that happen again (again). Music We’d Like to Hear: St Mary's at the Hill, London 14.07.17, 2017.
    Composition
  • Newland, Paul. I met Jo Kondo on Kyoubashi. Tokyo: Ryogoku Monten Hall, 2017.
    Composition
  • Newland, Paul. "locus: An assembly" and "Ensemble x.y". Jack Sheen (Director): St John’s Waterloo London, 2018.
    Composition
  • Newland, Paul, and Marina Collard (choreographer). Many much, many much too many (new work for dance). National Tour: Transitions Dance Company, 2019.
    Composition
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