Julian Anderson BMus(RCM) MPhil(Cantab) AM(Harvard)

Julian Anderson was born in London in 1967 and studied composition with John Lambert, Alexander Goehr and Tristan Murail.  His first acknowledged work, Diptych (1990) for orchestra, won the 1992 Royal Philharmonic Society Prize for Young Composers and was subsequently nominated as the BBC entry in the 1996 International Rostrum of Composers in Paris.  His two commissions for the London Sinfonietta, Khorovod (1994) and Alhambra Fantasy (2000), have been widely performed by leading ensembles across Europe and the USA.  His other most played works include the orchestral BBC Proms commission The Stations of the Sun (1998) which has been performed by both the Boston Symphony and Cleveland Orchestras, and the chamber work Poetry Nearing Silence (1997) a commission from the Nash Ensemble.

From 1996 to 2001 he was Composer in Residence with the chamber orchestra Sinfonia 21. Between 2000-2005 he was Composer in Association with the CBSO, and he completed three orchestral works for them: Imagin’d Corners (2002) a piece for five horns and orchestra, Symphony, which was winner of the British Composer Award  (2004), and Eden, written for the opening concert of the Cheltenham Festival 2005. He also wrote Book of Hours (2005), a piece for ensemble and electronics for the BCMG, and Four American Choruses for the CBSO Chorus.  More recently, the 2006 BBC Proms featured commissioned work Heaven is Shy of Earth for mezzo-soprano chorus and orchestra starring Angelika Kirschlager and a newly commissioned work by the London Philharmonic Orchestra, Alleluia, was premiered on the prestigious re-opening of the Southbank Centre’s main venue the Royal Festival Hall in June 2007. 
In October 2002 Anderson was appointed Artistic Director of the Philharmonia Orchestra’s ‘Music of Today’ series.  Throughout the 2002/3 season he was ‘Composer in Focus’ with the London Philharmonic Orchestra. He was the Cleveland Orchestra’s Daniel Lewis Young Composer Fellow for 2005-7.

Anderson was Professor of Composition at the Royal College of Music from 1996 and was Head of Composition there from 1999 to 2004. From 2004 to 2007 he was Fanny Mason Professor of Music at Harvard University.  He returned to the UK permanently in September 2007 to work as a freelance composer and take up a newly devised post at the Guildhall School of Professor of Composition and Composer in Residence.