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Production Arts Tour

Explore our theatre facilities with Guildhall students

Working with professionals at Guildhall provides you with well-respected industry contacts – I’ve been a Costume Daily on Downton Abbey

Shannon Martin
BA Technical Theatre Arts (Stage & Costume Management pathway)

Shannon Martin
Guildhall has provided so many opportunities that I didn't expect when I applied. The mentor programme has also been hugely valuable to me.

Andrew McDonald
BA Technical Theatre Arts (Theatre Technology)

Andrew McDonald
I chose to come to Guildhall because I wanted to become a set designer. Guildhall helped me understand who I want to be and how to get there.

Alena Tryapitsyna
BA Technical Theatre Arts (Design Realisation)

Alena Tryapitsyna
The School is the right mix of everything – supportive staff, positive work environment, world-class facilities and bespoke opportunities.

Saatvika Kantamneni
MA Collaborative Theatre Production and Design

Saatvika Kantamneni
We run like a company with each student taking on a professional role. I feel this really prepares us for the outside world

Laurie Lumley
BA Video Design for Live Performance

Laurie Lumley
The projects we work on are real - we are in effect constantly getting work experience

Laurie Lumley
BA Video Design for Live Performance

Laurie Lumley
The facilities available to students to create are almost unimaginable

Carreen Walton
MA Collaborative Theatre Production and Design

Carreen Walton
It's the scale of productions that really makes Guildhall stand out. It gets to the point where you think, wow, this is massive. In other places, you just wouldn't have that opportunity to learn on the job.

Sian Clare
BA Technical Theatre Arts (Costume)

Sian Clare
I had the opportunity to work with the BA Video Design for Live Performance course on an installation project in the chambers below Tower Bridge. It was a completely unique experience.

Liam Strong
BA Technical Theatre Arts (Theatre Technology)

Liam Strong
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Home > Production Arts > Final year students > 2016-17 > Constance Villemot

Constance Villemot

Design Realisation

Guildhall Experience

Set designer, Spring Opera Scenes (dir. Stephen Medcalfe)
Construction Manager, The Tale of Januarie (Des. Dick Bird)
Construction Manager, The Same Deep Water as Me (Des. Amelia Jane Hankin)
Construction Manager, Herons (Des. Sophie Thomas)
Construction Manager, The (Imaginary) Misogynist (Des. Sophie Thomas)
Scenic Art Co-ordinator, Great Expectations (Des. Agnes Treplin)
Scenic Art Co-ordinator, Opera Scenes (Des. Oscar Selfridge)
Props Co-ordinator, Mavra & Iolanta (Des. Bridget Kimak)
Props Co-ordinator, The Crucible (Des. Amelia Jane Hankin)
Props Co-ordinator, August (Des. Libby Watson)
Props Assistant, Ariane & Alexandre Bis (Des. Simon Corder)
Props Assistant, Go, Make You Ready (Des. Mark Simmonds)
Scenic Art Assistant, The Rape of Lucretia (Des. Jamie Vartan)
Scenic Art Assistant, Top Girls (Des. Dora Schweitzer)
Scenic Art Assistant, Dealer’s Choice (Des. Amelia Jane Hankin)
Scenic Art Assistant, Mountain Language/ One for the Road/ The New World Order (Des. Amelia Jane Hankin)
Scenic Art Assistant, Lulu (Des. Agnes Treplin)    
Assistant Carpenter, Le Donne Curiose (Des. Yannis Thavoris)
Assistant Carpenter, Mephisto (Des. Susannah Henry)
Assistant Carpenter, The Secret Rapture (Des. Louis Carver) 

Professional Experience

Workshop assistant, Miss Saigon, (dir. Karen Francis), Stray Cats Theatre Company (Australia), May 2017
Associate set designer, The Dowager’s Oyster, So and So arts club, (dir. Jack Cherry), November 2016
Model box assistant for Dick Bird, The Tale of Januarie / Ayomushi, February & October 2016
Production coordinator, Un sur Trois, (short film directed by Roxane Merolle), March 2016
Scenic artist, Red Riding Hood, Greenwich Theatre (dir. Andrew Pollard), December 2015
Scenic artist, A Christmas Carol, Pleasance Theatre (dir. Danny Wainwright), December 2014

Other Training and Qualifications

2011 - 2014: BA Spatial Design at École Nationale Supérieure des Arts Appliqués et des Métiers d’Art - Olivier de Serres, Paris
IPAF 3a

Skills

Model box making, wood work, metal work, use of diverse workshop tools, different techniques of scenic art, AutoCAD, Indesign & Photoshop

Areas of Interest

Set design, scenic art, prop making, scenic construction

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