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  • Support the School
  • Programmes
  • Production Arts facilities
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  • Final year students
    • 2020-21
    • 2019-20
      • BA Video Design for Live Performance
      • BA Technical Theatre Arts
        • Eluned Banfield (Stage Management)
        • Dan Barnicott (Theatre Technology)
        • James Cooper (Theatre Technology)
        • Sophie Alice Cooper (Stage Management)
        • May Curtiss (Stage Management)
        • Georgia Dacey (Stage Management)
        • Em Davis (Stage Management)
        • Matthew Dean (Theatre Technology)
        • Sofia Di Lorenzo (Theatre Technology)
        • Tom Downie (Stage Management)
        • Matthew Freeman (Theatre Technology)
        • Carter Gardenier (Design Realisation)
        • Colin Greatbatch (Stage Management)
        • Ben Hagle (Theatre Technology)
        • Sam Harris (Theatre Technology)
        • Millie Heighes (Design Realisation)
        • Pippa Higham (Design Realisation)
        • Alex Hobbs (Theatre Technology)
        • Matt Hockley (Theatre Technology)
        • András Jacobs (Costume)
        • Peter Lawrence (Theatre Technology)
        • Hope Marshall (Stage Management)
        • Luke Mason (Stage Management)
        • Aster Meerding (Design Realisation)
        • Liam Sayer (Theatre Technology)
        • Jenn Shahid (Stage Management)
        • Chloe Stally-Gibson (Theatre Technology)
        • Tabitha Streater (Design Realisation)
        • Liam Strong (Theatre Technology)
        • Jess Troy (Costume)
        • Calum Walker (Theatre Technology)
        • Jamie Webb (Theatre Technology)
        • Grace Wines (Design Realisation)
      • MA Collaborative Theatre Production & Design
    • 2018-19
    • 2017-18
    • 2016-17
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Chloe Stally-Gibson

Theatre Technology


Download Chloe Stally Gibson's CV (PDF)

 

What's been your highlight during your time at Guildhall?

Finding the car we used for our production of ‘The Angel Esmeralda’! It took us ages to find one that was suitable and to work out the logistics of chopping it in half, getting it to us from the scrapyard we found it in, and most definitely getting it into the building!

What's been your highlight in the industry?

Working on ‘Fairview’ at the Young Vic. Not only was the play one of the most incredible pieces I’ve ever seen, but I’ll always remember the nervous energy and excitement during the auditorium as we rushed around preparing for the first preview! We were all so proud to have contributed to such an amazing show and couldn’t wait for the public to see it!

What's something you've learned that you feel will help you when you graduate?

It’s OK not to know everything! The best moments I’ve had at Guildhall have been when I made a mistake and was able to learn from it and grow as a theatre maker. You never know what you don’t know until it hits you in the face!

What are you most interested in working in after you graduate?

Production Management and/or Lighting Design!

Examples of Work

    • Master Running Expenditure (PDF)
    • Licensing Pack (PDF)
    • Production Schedule (PDF)

    Visit Chloe's Website

    Production Images

    The Angel Esmeralda (photo - Mihaela Bodlovic)
    The Angel Esmeralda production photo
    Red Velvet (photo - Mihaela Bodlovic)
    Red Velvet production photo
    Opera Scenes (photo - Matthew Ferguson/FG Studios)
    Opera scenes production photo
    Opera Makers (photo - Monika Jastrzebska/FG Studios)
    Opera makers production photo
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