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  • Support the School
  • Programmes
  • Production Arts facilities
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  • Final year students
    • 2020-21
    • 2019-20
      • BA Video Design for Live Performance
      • BA Technical Theatre Arts
        • Eluned Banfield (Stage Management)
        • Dan Barnicott (Theatre Technology)
        • James Cooper (Theatre Technology)
        • Sophie Alice Cooper (Stage Management)
        • May Curtiss (Stage Management)
        • Georgia Dacey (Stage Management)
        • Em Davis (Stage Management)
        • Matthew Dean (Theatre Technology)
        • Sofia Di Lorenzo (Theatre Technology)
        • Tom Downie (Stage Management)
        • Matthew Freeman (Theatre Technology)
        • Carter Gardenier (Design Realisation)
        • Colin Greatbatch (Stage Management)
        • Ben Hagle (Theatre Technology)
        • Sam Harris (Theatre Technology)
        • Millie Heighes (Design Realisation)
        • Pippa Higham (Design Realisation)
        • Alex Hobbs (Theatre Technology)
        • Matt Hockley (Theatre Technology)
        • András Jacobs (Costume)
        • Peter Lawrence (Theatre Technology)
        • Hope Marshall (Stage Management)
        • Luke Mason (Stage Management)
        • Aster Meerding (Design Realisation)
        • Liam Sayer (Theatre Technology)
        • Jenn Shahid (Stage Management)
        • Chloe Stally-Gibson (Theatre Technology)
        • Tabitha Streater (Design Realisation)
        • Liam Strong (Theatre Technology)
        • Jess Troy (Costume)
        • Calum Walker (Theatre Technology)
        • Jamie Webb (Theatre Technology)
        • Grace Wines (Design Realisation)
      • MA Collaborative Theatre Production & Design
    • 2018-19
    • 2017-18
    • 2016-17
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Matt Hockley

Theatre Technology


Download Matt Hockley's CV (PDF)

 

What's been your highlight during your time at Guildhall?

My highlight at Guildhall has been working with the professional creatives that have come to work on the shows with us. It has been an invaluable experience to see first-hand their production processes and to adopt their methods into your work. 

What's been your highlight in the industry?

Working at the London Palladium as an ASM – this venue has always been somewhere where I have dreamt to work one day & last year I found myself luckily enough to be working in the wings with a production. 

What are you most interested in working in after you graduate?

I am most interested in working as a lighting designer once I graduate. I would love to go into the live events industry the most as this is something that really excites me. However, I would love to explore all genres of live performance within this role before choosing a specific path.

Examples of Work

  • Autumn Opera Scenes Print A1 (PDF)
  • Stage Overhead Rig (PDF)
  • La Fedelta - Final Version (PDF)

Visit Matt's Website

Production Images

La Fedeltà Premiata (photo - Mihaela Bodlovic)
La Fedeltà Premiata production photo
All The Little Lights (photo - Katherine Leedale )
All The Little Lights production photo
Opera Scenes (photo - Matthew Ferguson/FG Studios)
Opera Scenes production photo
Opera Scenes (photo - Matthew Ferguson/FG Studios)
Opera Scenes production photo
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