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        • Eluned Banfield (Stage Management)
        • Dan Barnicott (Theatre Technology)
        • James Cooper (Theatre Technology)
        • Sophie Alice Cooper (Stage Management)
        • May Curtiss (Stage Management)
        • Georgia Dacey (Stage Management)
        • Em Davis (Stage Management)
        • Matthew Dean (Theatre Technology)
        • Sofia Di Lorenzo (Theatre Technology)
        • Tom Downie (Stage Management)
        • Matthew Freeman (Theatre Technology)
        • Carter Gardenier (Design Realisation)
        • Colin Greatbatch (Stage Management)
        • Ben Hagle (Theatre Technology)
        • Sam Harris (Theatre Technology)
        • Millie Heighes (Design Realisation)
        • Pippa Higham (Design Realisation)
        • Alex Hobbs (Theatre Technology)
        • Matt Hockley (Theatre Technology)
        • András Jacobs (Costume)
        • Peter Lawrence (Theatre Technology)
        • Hope Marshall (Stage Management)
        • Luke Mason (Stage Management)
        • Aster Meerding (Design Realisation)
        • Liam Sayer (Theatre Technology)
        • Jenn Shahid (Stage Management)
        • Chloe Stally-Gibson (Theatre Technology)
        • Tabitha Streater (Design Realisation)
        • Liam Strong (Theatre Technology)
        • Jess Troy (Costume)
        • Calum Walker (Theatre Technology)
        • Jamie Webb (Theatre Technology)
        • Grace Wines (Design Realisation)
      • MA Collaborative Theatre Production & Design
    • 2018-19
    • 2017-18
    • 2016-17
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Matthew Dean

Photo - Em Davis
Matthew Dean

Theatre Technology


Download Matthew Dean's CV (PDF)

 

What's been your highlight during your time at Guildhall?

My Production Desks project was very successful and I am so proud of the outcome, which has given me further career opportunities.

What's been your highlight in the industry?

Becoming an Automation Deputy at The Lion King in my first year.

What's something you've learned that you feel will help you when you graduate?

Due to this term's newly ‘Virtual’ productions, we’ve been thrust into the world of high level previsualisation and I think these skills are going to be very useful as the theatre industry becomes even more digital.

What are you most interested in working in after you graduate?

Producing Theatre as a Lighting Technician or Production Electrician.

Examples of Work

  • Pocket Fit-up Plan (PDF)
  • Production Desk Guidelines (PDF)

Production Images

Earthquakes in London (photo - Mihaela Bodlovic)
Earthquakes in London photo
Earthquakes in London (photo - Mihaela Bodlovic)
Earthquakes in London photo
Opera Scenes (photo - Matthew Ferguson/FG Studios)
Autumn Opera Scenes photo
Opera Scenes (photo - Matthew Ferguson/FG Studios)
Autumn Opera Scenes photo
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