Tom Verney | Opera Course

Supported by Independent Opera

What’s the best thing about studying here?

The teaching staff come from a variety of disciplines, so the breadth of expertise available is unparalleled, and leads to an exciting and lively working environment. Living in London itself is also a huge benefit, as the variety of shows and concerts on offer every day is an inspiration in itself – showing us what we can achieve if we work for it.

What opportunities have you had so far as a Guildhall School student, that have particularly stood out for you?

I was lucky enough to be involved in Britten’s A Midsummer Night’s Dream when the Opera department put it on in the Barbican Theatre – which was an experience I will never forget, and was my first fully staged opera with full orchestra. Jonathan Dove’s Pinocchio was a project of epic proportions that will live long in my memory, and singing solo live on BBC radio 3 to advertise the baroque double bill was also a great opportunity.

How has being awarded a scholarship helped you during your time at the Guildhall School?

Put simply, it made it possible. It has given me time to work on my singing without the pressure of having to earn the whole time – allowing me to take on opportunities that provide good exposure, and the chance to learn new things, but that don’t necessarily pay. Without this, my focus would have been elsewhere, and there is no question in my mind that I would not be anywhere near the level I am at today.