Key details:

Department:
Drama
Year of Graduation:
2017-18
Tallulah Bond

Biography & Pure profile

Height 5' 11"

Eyes Blue

Hair Light Brown

Parts played at Guildhall 

Golde in Fiddler on the Roof (dir. Martin Connor)

Let Me Not Play a Woman (Shakespeare devised piece dir. Richard Goulding)

Myra in Colder Than Here (dir. Lisa Blair)

Lady Monica Chellerton in Post-Mortem (dir. Lucy Bailey)

Dunyasha in The Cherry Orchard (dir. Christian Burgess)

Cleopatra in Antony and Cleopatra (dir. Christopher Luscombe)

Kassandra in The Trojan Women (dir. Patsy Rodenburg)

Mary in Merrily We Roll Along (dir. Martin Connor)

Nora in A Doll’s House (dir. Wyn Jones and Annemette Verspeak)

Mademoiselle in The Provoked Wife (dir. Jo McInnes)

Masha in The Seagull (dir. Christian Burgess)

Marnie in Birdland (dir. Chris Kelham)

Professional Experience

Feature Film

Lotte in Good (dir. Vincente Amorim), Good Films

Girl Scout in The Hardest Part (dir. Oliver Refson), Agile Films

Television

Princess Elizabeth in The Gunpowder Plot; Exploding the Legend (dir. Mike Slee), ITV

Radio

The Unwomanly Face of War (dir. Celia De Wolff), BBC Radio 4

Other

Rais and other voices in Yto Barrada’s Agadir, Barbican Curve Gallery

Other Experience

Member of National Youth Theatre

Screen Acting with Michael Bray, Peter Cregeen, Tim Mercier, Maggie Zolinsky

Acting workshop with Polly Teale

Singing workshop with Clive Rowe

Skills

Strong singer (mezzo-soprano and ABRSM Graded Musical Theatre Singing)

Native Accent – RP

Very good ear for accents

Basic guitar

Dance (basic training in contemporary, modern, MT at D&B Academy of Performing Arts), 20th century dance, period dance

Stage combat

Conversational French

Spotlight

4538-4534-2491