Amy Stebbins

Key details:

Department:
Research
Role:
Research Associate
White woman, head and shoulders shot

Amy Stebbins is an award-winning writer and director specialising in opera and new media. Her work spans film, virtual reality, and mainstage productions for leading orchestras, opera houses, and theaters, including the Bavarian State Opera and the Düsseldorf Tonhalle. Dedicated to pushing the boundaries of contemporary opera, she co-founded New Opera Dialogues, an artist-led NGO fostering international exchange in the field. 

Stebbins holds a Ph.D. in Cinema & Media Studies and Germanic Studies from the University of Chicago and a B.A. in History & Literature from Harvard. Her research has appeared in Seminar, Critical Social Policy, The Arts in Psychotherapy, Zeit-Online, and anthologies such as Musik in der digitalen Ära (Rombach Wissenschaft, 2024), Theatre and Internationalization (Routledge, 2021), and Das Regiebuch (Wallstein Verlag, 2021).

Her artistic practice and scholarship have been recognised with fellowships and residencies from MacDowell, the Academy for Theater & Digitality, the Lincoln Center Directors Lab, the German Chancellor Fellowship, Akademie Musiktheater heute, and the Fulbright Foundation.

She is currently a Research Associate on the "Immersive Opera" research project, funded by the UKRI's Future Leader Fellowship scheme.

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Recent Research Outputs

V01CES//B0D1EZ

Stebbins, A. (2026). V01CES//B0D1EZ. Performance

2026

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Anticipated Alienation and Critical Social Work: Returning Citizens ’ Perspectives on Reentry

Stebbins, A., & Barak, A. (2021). Anticipated Alienation and Critical Social Work: Returning Citizens ’ Perspectives on Reentry. The British Journal of Social Work, 51(1), 38-56.

2021

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From text to context: the agonistic play of text production in Frank Castorf’s The Robbers. In: Das Regiebuch: zur Lesbarkeit theatrale Produktionsprozesse in Geschichte und Gegenwart

Stebbins, A. (2021). From text to context: the agonistic play of text production in Frank Castorf’s The Robbers. In: Das Regiebuch: zur Lesbarkeit theatrale Produktionsprozesse in Geschichte und Gegenwart. Wallstein Verlag.

2021

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Ambivalent Engagement: contemporary opera between populism and the postmodern

Stebbins, A., & Berheide, H. (2021). Ambivalent Engagement: contemporary opera between populism and the postmodern. ACT - Zeitschrift für Musik und Performance, 1-28.

2021

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Dramaturgical oper(a n)ations: De-Internationalization in 21st-century American and German-language Libretti. In: Theatre & internationalization: perspectives from Australia, Germany and beyond

Stebbins, A. (2020). Dramaturgical oper(a n)ations: De-Internationalization in 21st-century American and German-language Libretti. In: Theatre & internationalization: perspectives from Australia, Germany and beyond. Routledge.

2020

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Imaginary Dialogues: Witnessing in Prison-Based Creative Arts Therapies

Stebbins, A., & Barak, A. (2017). Imaginary Dialogues: Witnessing in Prison-Based Creative Arts Therapies. Arts in Psychotherapy, 56.

2017

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Reentry as Performance: Reflections from Institution X

Stebbins, A., & Barak, A. (2017). Reentry as Performance: Reflections from Institution X. Critical Social Policy, 37, 287-309.

2017

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