The Tense Present
Newark, C. (2024). The Tense Present: Review of Emanuele Senici, Music in the Present Tense: Rossini’s Italian Operas in Their Time (Chicago: Chicago University Press, 2019). The Opera Quarterly, 39(1-2), 151-158. https://doi.org/10.1093/oq/kbae012
“Voi e il sottoscritto”: Estetica della critica in Fedele d’Amico
Newark, C. (2021). “Voi e il sottoscritto”: Estetica della critica in Fedele d’Amico. (L'arte armonica. Serie 3, Studi e testi). Accademia Nazionale di Santa Cecilia.
Canons of the Risorgimento then and now
Newark, C. (2020). Canons of the Risorgimento then and now. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190224202.013.24
General introduction: Idiosyncrasies of the opera canon
Newark, C., & Weber, W. (2020). General introduction: Idiosyncrasies of the opera canon. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190224202.013.30
Opera in nineteenth-century Italian fiction: Reading “Senso”
Newark, C. (2020). Opera in nineteenth-century Italian fiction: Reading “Senso”. Edinburgh University Press.
The Oxford handbook of the operatic canon
Newark, C., & Weber, W. (2020). The Oxford handbook of the operatic canon: Oxford handbooks. Oxford University Press.
“Silver fork” novels and the place of voice
Newark, C. (2019). “Silver fork” novels and the place of voice. University of Chicago Press. https://doi.org/10.7208/9780226670218-013
The least of opera’s many constituencies (The politics of opera by Mitchell Cohen)
Newark, C. (2019). The least of opera’s many constituencies (The politics of opera by Mitchell Cohen). Journal of Interdisciplinary History, 49(3), 486–487.
Why exactly do we need more books on Verdi? ('Giuseppe Verdi' by Eduardo Rescigno and 'Giuseppe Verdi: Composer' by Daniel Snowman)
Newark, C. (2019). Why exactly do we need more books on Verdi? ('Giuseppe Verdi' by Eduardo Rescigno and 'Giuseppe Verdi: Composer' by Daniel Snowman). Verdiperspektiven, 4, 242–244.
Musical sources and “thereness”: The location of inspiration in cinematic adaptations of Le Fantôme de l’Opéra
Newark, C. (2018). Musical sources and “thereness”: The location of inspiration in cinematic adaptations of Le Fantôme de l’Opéra. Opera Quarterly, 34(2-3), 126-152.