Adekunle Gold with Guildhall Session Orchestra Guildhall Session Orchestra is proud to collaborate with Adekunle Gold for this special performance at the Royal Festival Hall to close the 2025 EFG London Jazz Festival.
London Schools Symphony Orchestra in Beverley The London Schools Symphony Orchestra (LSSO) appears in Beverley Minster as part of their 2025 summer tour.
London Schools Symphony Orchestra in Ripon The London Schools Symphony Orchestra (LSSO) appears in Ripon Cathedral as part of their 2025 summer tour.
London Schools Symphony Orchestra in Birmingham The London Schools Symphony Orchestra (LSSO) takes to the stage of Bradshaw Hall at Birmingham Conservatoire as part of their 2025 summer tour.
Charge presents: COMPOST COMPOST COMPOST Charge returns to Stoke Newington's Old Church with another evening of bold, boundary-pushing music headlined by genre-defying Guildhall ensemble COMPOST COMPOST COMPOST.
The Purcell School Symphony Orchestra: Tchaikovsky & Sibelius Join The Purcell School Symphony Orchestra for an evening featuring Tchaikovsky's Romeo and Juliet Fantasy Overture and Sibelius' Symphony No 7, alongside the Finnish composer's Violin Concerto, performed by Dominic-Lucian Drutac.
Eclectic Voices: Songs in the Key of Life Guildhall School's stunning close-harmony group Guildhall Jazz Singers joins the Eclectic Voices of London and Universal Voices of Geneva for this concert in Covent Garden celebrating the music of Stevie Wonder.
ResearchWorks: Radical Listening – listening, creative practice and research This collaborative ResearchWorks session with Victoria Karlsson, Emily Orley and Jon Mayse comes out of a shared interest in 'listening' in various contexts within the speakers' creative practice and research.
ResearchWorks: Listening as Political and Ethical Practice Speakers Nell Catchpole and Leslie Deere will examine their respective Practice as Research through themes drawn from the book Bodies of Sound: Becoming a Feminist Ear.
ResearchWorks: Slip, Sign, Truck Joke and Twist (an alter-practice of ongoing undoing?) Paul Abbot discusses his music-practice based research projects, motivated by his experimental search to find new critical and non-standard ways to write, think and play music.
