ResearchWorks: Radical Listening – listening, creative practice and research This collaborative ResearchWorks session with Victoria Karlsson, Emily Orley and Jon Mayse comes out of a shared interest in 'listening' in various contexts within the speakers' creative practice and research.
ResearchWorks: Listening as Political and Ethical Practice Speakers Nell Catchpole and Leslie Deere will examine their respective Practice as Research through themes drawn from the book Bodies of Sound: Becoming a Feminist Ear.
ResearchWorks: Slip, Sign, Truck Joke and Twist (an alter-practice of ongoing undoing?) Paul Abbot discusses his music-practice based research projects, motivated by his experimental search to find new critical and non-standard ways to write, think and play music.
ResearchWorks: From Stage to Studio: Performances versus Recordings in Classical Music A book launch and research talk highlighting some of the main themes from Amy’s new book 'From Stage to Studio'.
ResearchWorks: Sawt al-Shifaa: Muslim Experiences of Music, Sound and Healing In this talk, Dr Fatima Lahham will discuss the recent research project "Sawt al-Shifaa", focused on Muslim experiences of music, sound and healing in community.
ResearchWorks: Voicing the Contemporary: New Polish Vocal Music in Practice Acclaimed Polish soprano and researcher, Joanna Freszel, invites the audience into the sound world of contemporary Polish voice.
ResearchWorks: A concert-lecture: Rebecca Clarke’s Sonata for Viola and Piano A concert-lecture on the available sources of Rebecca Clarke's Sonata for Viola and Piano, from an interpretive perspective.
ResearchWorks: Why Dance? Why Not. Perspectives from South Asia This presentation reflects on the place of dance in agency, allyship and community.
ResearchWorks: From Stage to Studio: Performances versus Recordings in Classical Music This presentation will highlight and demonstrate some of the main themes from Amy’s new book From Stage to Studio.
ResearchWorks: How to share power This discussion will explore power - in its structural, theoretical and collective forms.